Even my name had the word "free" in it,
and I was as good as my name.
While none would argue that I was a free spirit,
my own insecurities held me captive.
I played a game of "I do not care"
when the truth was that I cared too much.
We play games with those we love
while hating to fool them,
because we should share
our most sacred truths
with those we hold the dearest.
To be dishonest is to denigrate the relationship,
but I played "I do not care" because he genuinely did not.
What I learned from this game
was how ugly and hurtful it can be,
acting worldly and callous
and using others for your own purposes.
A part of myself was satiated
that I had taken my revenge,
and I proved that I could be as flip and careless as he could.
Once this facade wore thin
I would retreat to my house of blue
and feel the rejection, the loneliness, and the longing,
what I hated to feel.
Then I would paint my broken interior
for the world to see,
as shattered as my spine and unhealed.
Either pain or wonder is the cause of creation,
and I wondered at the amount of pain I had been given to ingest.
How can one frail girl be asked to bear the sins of the world?
This wonder at my own complete misfortune followed me
and caused not a powerlessness, but a defiance.
If circumstances were going to take a whip to me
I would be the bravest and strongest and bear my back,
never betraying how frightening were the endless surgeries,
the miscarriages, and the living hell of my husband's indignities.
I had resolved to play the mute when in public.
But in private, he heard plenty.
Women have always swallowed their betrayals and sorrows
for the sake of protecting their marriage.
Funny, but I do not think there has ever been a husband who realized
how catastrophically his wife could have and wanted to ruin him.
The life of a woman in love is destined to be tragic,
though at first neither can imagine how.
My life was a series of disasters
that I illustrated in a certain odd way
that came to be known as an artistic triumph.
At the time I did not think of my work
as worthy of acclaim.
To me they were nothing more than an open diary.
In time they found an audience
among the heartbroken, my fellow sufferers.
Many would interpret what I painted
as their own grief.
Those who looked closely
saw their accidents
hidden among my own.
Yet, the one person I needed most
did not care.
The warmth of an adoring audience
has been a consolation far greater,
like that of a thousand worshipful suns.
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