How many years have I waited for this moment? How many prayers have I whispered in the dark of midnight? How many tears have I shed, buckets of raging, bitter, and finally, surrendered tears? How many times did I beg and plead as if a dagger had been plunged into my back, asking a merciful hand to please remove it? Until the years, the tears, the prayers, and pain became too much to carry. I laid it down like the dead child I carried in my arms for an eternity. I laid my burden down, and sang the song of goodbye-a song that no mother wants to sing, and no lover alone and barren has words for. There is no courage as costly as this. It cost me all to follow where my saviors were leading. It took everything from me, yet strangely, it gave me everything unseen, what I really needed and longed for. The pain traded with me, taking the sorrow and leaving me with nothing I could call mine. Still, it was a mercy because it left me with wisdom, what I most needed and had no idea how to get. Like a burned-out piece of wood, I am, where only a space remains that echoes of a life called mine. There must be space, or divinity has no room to dwell. I made room for divinity, that is all. And "I" didn't even do it, couldn't do it. It was done for me and to me: by the years, the tears, the prayers, and the pain. It softened the ground of my being and now the space inside is alive, fully alive with some kind of divine magic that is weaving a miracle. This is where I say thank you-for all the years, the tears, the prayers, and even the pain.
Friday, December 6, 2024
Thursday, November 28, 2024
The Fates-A short story by Devi Nina Bingham
I bolted upright in bed, my heart pounding, but I was still alive. Yes, I was back to the land of the living. I'd had a terrifyingly real dream. Or had I died in my sleep and come back to life? Either way, I was back in my small, shabby apartment. What did the Fates have in store for me, I wondered, for I had met them. They were an imposing Group of Eight. That is what they called themselves: "The Group of Eight." My host had explained that they made all the big decisions about our destinies. By "our" I mean all of us; you and I-all of humanity. He explained with a note of amusement in his voice, a low, echoing voice that sounded like rushing water, that humans erroneously believe that they are in control of what happens to them. But they, he called them the Fates, showed me differently. Why had the universe conspired to tell its secrets to me? I was nobody; less than nobody. An unemployed writer. And if I wrote about it would anyone believe me?
I always knew there was a God and that He sent us here on a mission of sorts. We were expected to run an obstacle course of challenges and then by our deeds we would be judged. I learned these things at church, though they were not explained as clearly. They preached that we were children of God-that we had a Father in Heaven, and a savior named Jesus. All we had to do was to pledge our allegiance to said Jesus and we would be going straight to Heaven. It did not matter how evil we had been as long as we had the Jesus card at the end, they would let us pass the pearly gates. But life's challenges-the pain and injustice were never explained, mainly because Jesus never explained it, so the parish priest certainly could not. Like good soldiers we had a cross to bear and if we shouldered through and didn't lose our faith in the process, Heaven would have a rollcall with our name on it. This is what I understood to be the unspoken agreement between God and me. But this event showed me I was all wrong.
But let me back up so you understand the trajectory my life took before I met the Fates. I will skip most of the drama of my childhood to say that my 20s and 30s were filled with alternating fun and angst. In my 20s I married a man, and in my 30s divorced him because I came out as a lesbian. In a confused effort to do what my Christian parents expected, I tried dating men again only to get bored, and to get pregnant. I parted ways with the father when I refused to marry him. I told him with an exasperated sigh, "I am a lesbian. How can I marry you?" But I kept the baby because I was raised by a religious mother and attended a church who drilled it into our heads that abortion was the worst kind of sin, no better than murder. And this decision, to keep the pregnancy, would be the most monumental decision of my life.
As a second-generation single mom, I worked a fulltime job to return home from 9 hours of work to take over as mom to a baby who was just 4 months old. This meant 4-5 hours of sleep at night, every night. I was dog tired and had no help. My mother was angry at me for coming out as a lesbian, so I was on my own. I was in my early 30s, but I had dark circles under my eyes from sleep deprivation. Yet I never questioned my decision to keep my daughter, or my ability to provide for her. But as Moriyah grew, my work schedule required me to travel extensively which meant hiring a nanny to raise my child. The cost of daycare was killing me, but I stayed on this hamster wheel, working so I could pay an exorbitant daycare bill, and later a preschool bill until she was school-aged. Even then I had to afford afterschool care, and when I traveled, weekend care. And all the while I was missing the momentous moments I most longed to see: her first steps, her first words, all the milestones a parent is supposed to be there for. But I consoled myself time and again by saying, "You did the right thing." The right thing. The right thing. This phrase the Fates acknowledged as being another faulty human perception, not necessarily the whole truth.
As I gazed at the map of my life which was stretched the length of the table, I saw how doing "the right thing" had been the right thing for my religious mother and for my church. But had it been the right thing for me, and for Moriyah? We were really the ones who mattered in this situation, not the onlookers, the ones who hadn't cared enough to lend a helping hand. It was my life. And yet I never asked myself, not once, if it was the right thing for us. The map of my life began to move; swirling and rippling topography moving backwards in time. When it stopped, I saw myself newly pregnant and exercising on a stationary bike. I knew this moment exactly-I remembered it clearly. I had been wrestling with making a final decision. I asked myself, what is the right thing for this baby? The right thing certainly could not be abortion, I reasoned. And I could not imagine giving her up for adoption after carrying her for 9 months. No, I did not have the strength for that. The decision was between abortion or single parenting. An abortion would disappoint my mother and my church friends who of course were counting on me to keep the baby. But worse was the thought of an embryo being scraped out of my womb. That thought made me shutter. I watched myself wrestle with this decision as if I were watching TV. One of the Fates with long fingers like tree branches reached out and grabbed a pair of dice laying on the map. With a flick of his wrist, he rolled it. It landed on two, a dot on each die. The Fate looked down at my life and saw that I had decided to keep the pregnancy.
"Why did you roll the dice?" I asked him. The words came directly into my mind.
"You thought it was your decision," said the Fate without looking up from the map.
I stared at him straight for the first time. They all wore identical black linen robes, and their hoods were pulled over their faces like the Grim Reaper, yet I was not afraid of them. They did not inspire fear; they inspired awe. I couldn't see any of their faces, they were only shadows, a form instead of a solid entity. I knew they were eternally existing, wise rulers, a committee of spirits who had power over my life and death and who could alter destiny when they deemed it was necessary. I don't know how I knew these things except I was in a different realm where spoken word is superfluous, and knowledge is abundant. "Wasn't it my decision? I decided, didn't I?"
He pointed a spindly finger at the dice. "Two of you against the world," he replied. His words resounded like thunder echoing in my mind, and in a lightening flash I was drawn back to a scene playing on the map. Moriyah and I were sitting at home on our couch. I had pulled her onto my lap for some snuggles and declared, "It's just the two of us against the world." The two of us-and the dice had rolled the number two.
"What does this mean? What if you had rolled a different number. Then what?"
He responded by picking up the dice and rolling again. It landed on the number four-two dots on each die. The map swirled and churned again until a different scene, one which had never happened in this life, appeared. In this world I had decided not to have the baby. I went to the abortion clinic all alone because neither my family nor my church would support it. Then the map went dark like someone had turned out a spotlight. "This decision was four you," responded the Fate.
"Yes," I replied, beginning to comprehend the game. "Four would have been for me. So, this is all a game?"
"Yes," he answered appreciatively, pleased that I understood.
"That means we are not in charge of the major turning points in our lives," I said.
"When it is a matter of life and death, Fate steps in."
"I see," I responded. "So, we each have a Fate, but not fate as we commonly think of it. We each have an actual..." I paused because I had forgotten what to call them.
"One fate out of The Group of Eight helps you to make the most important decisions."
I appealed to him. "If it is our life, shouldn't we make the final decision?"
He shook his head as if I still wasn't getting it. "The roll of the dice determines your outcome." Around the table the Fates nodded in silent agreement.
"I don't mean to be a bother, but why are there eight of you?"
"If what the dice shows is troubling, we discuss the factors and take a vote."
"I see. Wouldn't it be easier to vote if your number were odd, like seven? Then one could be the tiebreaker."
"Clever of you to think of that. But we do everything by agreement. We discuss until all are in perfect unity. Like a jury," he offered.
"Does God control the dice?" I was still trying to figure out where God came in.
"God has nothing to do with this game."
"Are there different outcomes in different dimensions-I mean, in parallel lives?"
"Each dimension has a unique outcome. The roll in an alternative universe could be different."
"I see," I replied thoughtfully. "Why does God, or you guys, leave it to chance?"
"It is more exciting that way," the Fate replied. "A game in which the outcome is unknown is always more stimulating."
I began to get upset. "But these are real lives. People are suffering down there. People are doing terrible things to each other, and there is war and famine. Children are starving. Illness and hunger are ravaging whole countries! And you are up here playing dice with our lives?"
One of the Fates lifted a hand before speaking. It was a softer woman's voice, which surprised me. "I know it sounds unjust to you," she explained. "But according to your deeds your future lives will play out."
"So, there is karma?" I asked her.
"Of course. This is a perfectly just system that happens to be played as a game, that is all. In subsequent lives the die shall be cast again, and you will be given exactly what is due you. Exactly."
"Then God must know what numbers are going to land."
"What numbers will land is an unknown variable, even to God," she explained.
"Ok. So, let me see if I have got this right. Whenever there is a big choice to be made, especially life or death, our Fate casts the dice. Whatever numbers land becomes our reality, unless the interpretation is too harsh and seems unfair. At which point you discuss it amongst yourselves and decide whether to stick with the roll of the dice or not. But all eight of you must be in agreement to change what the numbers show."
"Very good," replied my host, as if he were speaking to a child. "Think of it in this way: your country has a President, and a Supreme Court. Most of the President's decisions are made unilaterally. But sometimes it goes to the Supreme justices who have veto power. It is like that."
"Except this is all a cosmic game," I said, incredulous, and the Fates nodded in agreement.
"Where does God fit into all of this," I asked. "Does He know about this game of dice that decides our fate?"
"The Creator is pure awareness," spoke the female. "The Absolute knows all."
"And may I ask-who are you? Are you aliens? I can see that you are not human."
"We are concerned with the affairs of mankind and were chosen to manage your cosmic play," she responded.
"A cosmic play," I repeated. "Is that what life is?"
"It is all a dream in the Creator's mind. God is dreaming," answered the female.
"And is this meeting a dream I am having or have I..." I stopped short of saying it.
"You will never die," replied the female Fate. "Death is another fallacy. Your essence will go on."
"Yes, but do I still have a body to go back to?" I asked, sounding more desperate than I wanted to.
"Your body is waiting. We summoned you to show you that life is a game. Therefore, you should not worry. There will be many chances to set what went wrong aright. And to show you that your Fate will always help you, no matter the role of the dice." I looked at The Group of Eight and felt a profound gratitude sweep over me that someone smarter than me was running the show. I was going to ask if I could return to my body when before I could ask, I awoke and found myself in bed.
And that is how it happened, how I met my Fate. Whether it was a dream, or I died in my sleep and came back I will never know for sure. But in times of trouble, I remember what I was told-that life is a game of consciousness that we will play until we get it right. So, lighten up.
Monday, September 23, 2024
"The Sky Was My Cathedral: A Memoir of Childhood" by (Devi) Nina Dawn Bingham, MH
Available on Amazon.com in paperback, eBook, and audiobook:
CLICK HERE: Amazon.com: The Sky Was My Cathedral: A Memoir of Childhood eBook : Bingham, Nina: Kindle Store
The Sky Was My Cathedral: A Memoir of Childhood
The Sky Was My Cathedral is a memoir of Dawn's childhood, told in alternating voices, detailing her lifelong struggle with coming out. You get to know her younger brother Devon, cousins Patricia and Tony with whom she spent Summers, her religious mother Margarita who expected life to be a fairytale, and her alcoholic and abusive father Reggie who chased them down with a shotgun.
Thursday, September 12, 2024
Survivor Times Two: A Poetic Memoir of Suicide and Divorce by Devi Nina Bingham, MH-Winner of the 2024 5-Star Award!
Winner of the Reader's Favorite 5-Star Award!
"In Survivor Times Two: A Poetic Memoir of Suicide and Divorce," Devi Nina dissects the stages of grief, showing how bereavement doesn’t affect just one person but also loved ones. Uniquely written, it will capture the attention of readers right away. The poems are an excellent way of showing what people go through, and also indicate the importance of writing our feelings down to help process them. This thought-provoking work also addresses stereotypes about grief, and how loved ones can support grievers. This is an excellent book, and I look forward to reading something else about mental health issues by this author. 5 stars!"-Reviewed by Frank Mutuma for Readers’ Favorite
"I truly couldn't stop reading once I started. Through each stage of Denial, Anger, Bargaining, Depression, and Acceptance, "Survivor Times Two" invites the reader to experience the author's journey after her daughter's suicide and her marriage's collapse. Nina combines a raw, honest narrative with powerful poetic imagery to guide us through the five stages of grief. Despite the seemingly different nature of losing a daughter and divorcing a spouse, Bingham proves that loss and healing come in many forms. Really powerful." -James LaVeck, Life After Losses, Moving Past Grief, and Grief Recovery for Adults
Sunday, July 28, 2024
Are YOU an Intrapersonal Personality Type? by Devi Nina Bingham
Are YOU an Intrapersonal Personality Type?
My entire life I have been told that I am a “deep thinker” and that I ask “profound” questions (my religious mother told me that I ask too many questions), which has always puzzled me. Doesn’t everybody grind an unanswered question down until they have pulverized it, answering it from all possible angles? This need to understand life from the inside out has caused frustration for me in relationships because I have wrongly assumed that like me, other people want to discover the truth. What I have concluded through heartbreak is that most people do not, in fact, think very seriously about life’s mysteries, nor do they dwell on why people act in the strange ways they do. And they spend almost no time analyzing their own dysfunction unless they are forced to. The intrapersonal approach is perfectly illustrated by Rodin’s bronze sculpture, “The Thinker” because at the heart of my personality is a serious need to understand myself, which is why I ask so many questions and try so damned hard to understand others, even people who don’t care to understand themselves.
Intrapersonals tend to be introverted intellectuals who are drawn to psychology and the arts. If you know a counselor or an artsy type, there is a good chance they are intrapersonal and are off in some corner quietly analyzing life as if it were a chess game. This drive to tear life apart as a car mechanic takes apart a motor is relentless and insatiable and finds its outlet in the professions of analysis (think: psychoanalysis), and in the expression of art, and philosophy.
And this is the beauty inherent in the intrapersonal communicator: like nobody else, we can convey the essence of another person in words, or through art because we have, like Rodin's Thinker, sat and pondered our subjects at exhaustive length. To every misunderstood intrapersonal communicator, I can only say that I understand your need to understand-and that the world desperately needs you to KEEP THINKING.
Saturday, July 27, 2024
"Ballad of The Mousies" by Devi Nina Bingham
Ballad of The Mousies
"I must prefer this isolation, or I would change.
A tiny mouse sitting in its hell hole.
They say the obvious explanation is that I am strange.
They don't know my life, my heart and soul.
Try to catch me if you can, dare to corner me.
I'll scream as you bring the confining cage.
Not an eye has seen a mouse become a banshee.
Don't be the first to see my unsightly rage.
What is free should live free, as nature intends.
Some things it’s better not to disturb.
Like this ballad coming to an abrupt end
which recommends you leave the mousies
unperturbed."
To read more: www.amazon.com/author/ninabingham
Friday, July 26, 2024
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Monday, July 8, 2024
Saturday, July 6, 2024
Friday, July 5, 2024
Without a Thought-by Devi Nina Bingham
My home, my nest, my sweet, spicey abode.
Where my heart's at rest, my heart's at rest.
Safely tucked in a pocket that the sea bestowed
where I have been blessed, I have been blessed.
I don't have to see my mother, the sea,
I hear her voice foaming in the mornings.
Just to know she waits, she waits for me
and can rush right in, sometimes without warning.
A danger is inherent in every blossomed rose
when you pick a flower without a thought.
I have come to respect the ocean's highs and lows,
and to watch my fingers around the lobster pot.
Lovers are the same, unreliable.
Nature is to blame, undeniable.
Mercury-by Devi Nina Bingham
Flying away, with wings on your feet
like Mercury, the swift.
Run away from the ghost that haunts you,
red lips that you once kissed.
Only the Gods fly fast enough.
Once, I held you up, your face to the sun,
my interest rebuffed,
we spilled the adoring cup.
Winged sandals' grace your feet
and another graces your hat.
Only counterfeit lovers will you meet
that deceive like the thunderclap.
Who has the God's ears, yet won't know thyself,
he dashes from my arms.
Like the slippery metal, he prides himself
on his irresistible charm.
Silver and shiny, quick as a flash
was my beloved and blameless boy.
Who escaped the shackles of love as he dashed
making of love a sportive toy.
Lady of Troy, daughter of Zeus
would have known him well.
Captured by her alluring charms
he thought he could break the spell.
He failed to see he could not outrun
the heart that beat within.
Wherever he goes he comes undone
for he is trapped in Mercury's skin.
A tale of caution
to listen to the heart
when love is destined to be.
Even the Gods do not keep souls apart-
even mercurial Mercury.
Friday, June 28, 2024
Survivor Times Two Book Trailer-losing a child and a marriage
Thursday, June 27, 2024
Award-winning "Never Enough: A Recovery Workbook" by Devi Nina Bingham
Wednesday, June 26, 2024
Award-winning "Messages From Metatron" by Devi Nina Bingham
Read "I Have Known Love" by Devi Nina Bingham
Go to: www.amazon.com/author/ninabingham
Read award-winning "Once The Storm Is Over" by Devi Nina Bingham
Monday, February 19, 2024
The Wild Things by Devi Nina Bingham
May I have a word with you about an important topic? Whether you agree with this statement or not, here goes: Writers are artists. Creative writing is called creative because it employs one's imagination and unconscious mind, which is what defines an artist. Now that we are on the same page, here is what I would like to say about artisans: WE ARE DIFFERENT. We think differently. Our lifestyles are different. We may even look like artists on the outside because we are representing the oddity that is on the inside. When I say odd it is not a condemnation, but a recognition that the Art Gods will exact from us one thing above all: they do not allow us to conform. Conformity is fine; it's needed in society many delicate situations. The world needs structure, methods, and tools. But I beg you, allow the artists, writers, painters, sculptors, dancers, actors, and any other artistic expressionist who uses any medium-allow them to be their different, strange, odd, nonconforming selves. Because it is part of the gig. We cannot think like the pack. We tried that, and it didn't work for us! It only repressed and depressed us until we burst free of the confines to say something representationally; to bring a message of wildness, or to generate uncontrollable feeling, or to simply contribute beauty or smiles to the world. Please do not make us be like you. For, as much as we appreciate your rules and formulas, the world also needs freedom. The world needs the wild things-the artists.
PS-This was one of my favorite books as a child. Now it makes so much sense why.
Sunday, January 21, 2024
AN IMPOSSIBLE BEAUTY: REFLECTIONS AT 60 by Devi Nina Bingham
An Impossible Beauty
Why do I do this to myself-celebrate my birth. Should I be proud that I am
alive? What have I given humanity that will last 100 years after I am gone? And
in 1,000 years, nobody will remember a stitch about me, or my
"important" books, or academic degrees. Then they, and I, will be
less consequential than a blade of grass. Why then do I trouble myself to
remember my birth?
Each of us are alone on a lonely planet hanging in an endlessly expanding
universe. Someday, even the Milky way in which the earth rests will become
inconsequential, not marveled at or spoken of in awe. Eventually, even the star
systems end. A star who burnt itself out sings the loudest and shines the
brightest. I am only trying to shine like that star.
But who am I shining for? Does a star shine so others notice, or does it simply
exist, and in its beingness, shines? Do I shine so others will notice, or can
I, like the animals and trees, simply be unhindered and natural so that I might
walk by my own light? If the sun shined for my acknowledgement, I would grow
lackluster about its glory because even a glorious thing can become tiresome,
forgotten, and left behind. It therefore shines to be its own source of warmth
and light.
Why is it so difficult to exist free of other's approval and opinions? Why do I
hamper my natural glory so others can feel comfortable with me, or so I don't
appear to be "too much" or "not enough?" Why do I depend
upon someone else to make me feel happy, excited, noticed; to feel alive?
Nature does not operate this way. Why then, should I?
It is because the human animal feels so deeply and suffers so greatly. The sun
doesn't weep when I turn away and ignore its shine. Why should I crumble when
others have taken the party away? But more than any animal or tree could, we
suffer aloneness, jealousy, abandonment; many troubling emotions beset us. Why
were we given this colossal capacity to feel-a tidal wave of emotions? Must I
feel every shade of cold and every chill of grey?
But do animals create? I mean, do they express themselves artistically, or
don't they simply live a patterned and predictable existence? The living things
were given life; locomotion, thought, feeling, but so elementary by comparison.
It is this: without the ability to experience disturbing and strong emotion, we
could not bring forth beauty. For it is rain that creates the rainbow. It is
the artist's melancholy which forces her to sing. She composes music because of
torrents of rivers rushing through her and driving her to it. And from the pain
and helplessness comes a fresh, new song, a representation of life that is
wholly original and moving. The painting, the sculpture, the poem-art bursts
forth and blooms from the dark void. From the wounds of the wreckage is born an
impossible beauty. All the wrongs, mistakes, longings, and regrets we call a
life add up to produce a completely original treasure.
To delight in an opera so expansive-is it worth it? To behold the Mona
Lisa's demure smile-is it worth it? To thrill with chills and ecstasy at a
touch-is it worth it? Someone seems to think so, or we wouldn't be here; we
would have offed ourselves a long time ago. You and I are planted here to shed
every teardrop and to laugh with the angels. To make chaos, and to birth
meaning from chaos. We are here not to hide from heartbreak, but to fully
imbibe it so we can sing what has never been sung.
We can hide for a time; even the sun is eclipsed. Even the moon hides half of
its face. But damp your light long enough and see happens. The devil will creep
into your bones and begin to feast on them. Your own body will turn against you
until you cry out like the stones cried at Jesus' feet: "Have mercy on
me!" And that song is the most powerful of them all. It calls the miracles
down until they encircle you, holding you fast and tight. They are the magic
words that call the medicine man. And before the sun sets you will, perhaps
with trembling hands, respond to that which has been calling your name. This is
the swift river of life-not to be denied, not to be controlled. Be moved by
unspoken voices. Go where your soul is leading.